Showing posts with label Writing Nonfiction. Show all posts
Showing posts with label Writing Nonfiction. Show all posts

Thursday, April 24, 2008

Questions from Weber State University Students

Abel Keogh

Weber State University



Tuesday I had the wonderful opportunity to talk to a literature class at Weber State University that is using Room for Two as one of their books. I was very impressed with the students and their questions, comments, and insight they had. The following are some of their questions and my answers I thought others might find interesting.

Q: What audience did you have in mind when you wrote Room for Two?

A: I was trying to write for a very broad audience. I wanted to tell my story in such a way that even those who have never lost a spouse, child, or had a friend or loved one take their own life could enjoy it. It seems to have worked. Though I’ve received a lot of positive feedback from young widows, young widowers, and suicide survivors, most of the emails I receive have been from people who don’t fall into any of those categories. No matter what group the reader falls in, however, the vast majority of respondents tell me the book has touched their lives in very positive ways.

Q: Why did you write Room for Two?

A: The biggest reason was that I read or, rather, tired to read a lot of “memoirs” about losing a spouse soon after my late wife’s death. I found most of them to be completely worthless. Most of the time the writer would try to make him or herself out as a “wronged hero.” I felt authors were being less than honest about their experience and were hiding their own faults imperfections. Because of this, I had a hard time relating on any level to the story they were trying to tell. I wanted to write a book that, in my opinion, showed the human side of the surviving spouse as well as the pain that that accompanies the death of a loved one.

In the case of books that dealt specifically with losing a spouse to suicide, I thought the authors were trying to make excuses or justify the actions of their loved ones that killed themselves. Some of the books went as far to romanticize suicide. I find that to be extremely dangerous. The reasons people take their own life is very complex and trying to rationalize or validate their actions is impossible without being able to talk with that person. And since they’re dead, that impossible. Instead of justifying the actions of my late wife, I tried to portray the devastating effect suicide has on those left behind.

Q: There’s a strong religious undercurrent in Room for Two. After reading the book, one can tell that you’re very religious but you don’t much in the way of specifics about what faith you belong to. Was that intentional?

A: Yes. Outside of the mountain west, most people don’t know much about the LDS (Mormon) Church. I didn’t want to alienate or distract readers who are unfamiliar with the church. Hence the reason I used very generic terms to describe my religious affiliation. Those who are familiar with the LDS church will, I think, know what faith I’m a member of rather quickly.

Q: If you were to rewrite Room for Two for a Mormon-only audience, what would you change?

A: Nothing.

Q: How did you come up with the title for your book?

A: The working title of the book was Running Forward. However, that never seemed to fit with the story I was telling. One day I was editing a part of the book where I was struggling with making room in my heart for another person. Though the exact phrase “room for two” doesn’t appear in the text, while reading that paragraph, those words formed in my mind as I read it. I immediately knew I had the perfect right title for my book.

Q: I really enjoyed reading your late wife’s poem “Ten Toed Children of Eve” that was in Room for Two. Have you considered about publishing the rest of your late wife’s poetry?

A: I’ve thought about putting a website up that contained her poetry and some of her other writings. Right now it’s more of a time issue. I have other writing projects are more pressing.

Q: Which writers have influenced you the most?

A: Orson Scott Card, Ethan Canin, and my dad.

Q: How do you find the time to write?

A: I make time. Once my kids are in bed, I spend some time with my wife and then write until I can’t keep my eyes open. It’s easy to talk about being a writer but hard to actually put in the hours required to write something worth publishing. I went to school with a lot of “writers” that were more talented than me. However, I’m the only one with a book. Though talent has something to do with getting published, most of it has to do with dedicating the time to writing, editing, and rewriting your manuscript.

Q: Are you writing more books?

A: I’m currently writing a work of fiction. If I can hold to my self-imposed deadlines, I should have a publishable manuscript sometime this summer.

Q: Do you have any plans to write a follow-up to Room for Two?

A: Yes. After I complete this work of fiction, the plan is to write another book that picks up where Room for Two left off. The main focus will be on the early years my marriage to Julie. The working title is Seconds because the book is going to focus a lot on second chances, second marriages, second loves, etc.

Monday, April 14, 2008

Do Travel Writers Go to Hell?

Abel Keogh

Do Travel Writers Go to Hell?


According to The Daily Telegraph, writer Thomas Kohnstamm admitted to faking large sections of The Lonely Planet guidebooks he wrote.

THE Lonely Planet guidebook empire is reeling from claims by one of its authors that he plagiarised and made up large sections of his books and dealt drugs to make up for poor pay.

Thomas Kohnstamm also claims in a new book that he accepted free travel, in contravention of the company's policy.His revelations have rocked the travel publisher, which sells more than six million guides a year.

Mr Kohnstamm, whose book is titled Do Travel Writers Go To Hell?, said yesterday that he had worked on more than a dozen books for Lonely Planet, including its titles on Brazil, Colombia, the Caribbean, Venezuela, Chile and South America.

In one case, he said he had not even visited the country he wrote about.

"They didn't pay me enough to go Colombia,'' he said.

"I wrote the book in San Francisco. I got the information from a chick I was dating - an intern in the Colombian Consulate.

"They don't pay enough for what they expect the authors to do.''

If the pay was so bad, one has to wonder why Kohnstamm agreed to write the travel guides in the first place. If he was talented enough to fool The Lonely Planet’s editors, one would think he should have tried his hand at fiction.

But more striking is why a publishing company (in this case Three Rivers/Crown) would reward a writer who admits to defrauding another publisher with a publishing contract. With other non-fiction books having difficulty passing the truth test, I’d think that a publisher would be hesitant to publish a book from an admitted liar.

Note: Blog entry cross-posted at Abel Keogh's blog.

Monday, March 31, 2008

Memoir Writing Tips

Abel Keogh






A funny thing happens to writers when we overcome a challenging event in our lives such as the death of a loved one, an abusive relationship, horrible childhood, addiction, or other horrific event: We want to share our experience with the world by writing a book.



Our motivations are usually good. We want others to learn and befit from our experience and, hopefully, not make the same mistakes. Yet, unless you’re a famous actor, athlete or other well-known individual, most people outside your family and friends aren’t going to care about it.



Despite this, the literary world is full of wannabe authors who want to share their story. After going through the arduous process of finding a publisher for Room for Two, I know. Literary agents and publishers are inundated with personal story manuscripts every day.



If you have a personal story you want to share, here are three tips to things to help your story stand out and make agents, publishers, and readers take notice.



1. Ask Yourself: Why Would Others Care?


Your story can be very important to you but can have no emotional impact on others. There are lots of books out there about overcoming an addition, a disastrous marriage, or the loss of a spouse, child, or loved one. You need to be able to take stand back and objectively ask yourself what makes your particular story unique enough that other people would care enough to read about it.



Everyone will lose a loved one at some point in their lives. Million go through a divorce or become addicted to drugs, alcohol, or other substances. What makes your experience different from others? What did you learn and how did you learn it that makes your story interesting enough that someone would actually take the time to read it?



If you can find something in your experience that is truly unique and sets your experience apart from thousands and millions of others that have experienced something similar, then you’ll have a leg up on getting agents and publishers to notice your manuscript and readers actually care about it.



2. Resist the Temptation to be a “Wronged Hero”


When writing a very personal story, it’s easy to turn yourself into a “wronged hero.” You know, the flawless individual who experiences something bad and valiantly continues to the uphill struggle against people and society who just don’t understand what you’re going through to make life and the world right again.



Don’t do this. We’re all human. Whether its lapses in judgment, a bone-headed decision, or a simple mistakes – we all do things that we regret. After going through a very heart-wrenching experience our judgment is often emotionally clouded and we find ourselves doing and saying things we wouldn’t under normal circumstances.


If you portray yourself as the perfect person, readers will not only know you’re being phony but they’ll start to wonder if there’s parts of the story you’re being less than honest about as well. If you’re can’t write honestly about yourself, the good and bad decisions you’ve made, and put them in a framework for the reader to understand, then don’t waste your time writing about it. Readers should be able to understand the context in which a choice was made and even if they don’t agree with your evenutal decision.

3. Know How to Tell a Story

The way you tell your story counts. It’s not just the words you choose to use (thought that’s important) but where the story begins, where it ends, and what you put in between.


When sharing person stories, it’s tempting to include every person detail or side story we can think of that shows how cute our kids are or what a jokester Aunt Sarah is. Yet unless you’re writing to your immediate family and friends, those elements can be detracting. Instead, focus your story like a laser beam on the people, scenes, and dialogue that’s important to keep the story flowing and the reader’s interest peaked. My first draft of Room for Two was approximately 120,000 words. The version that made it to print is around 86,000. I was fortunate to find a good editor that pointed out the fluff and helped focus my writing on the real meat of my story.


Remember, writing is an art and it takes a creative mind to know the best way to draw a reader into your personal experience in such a way that care about you and want to read about it. If done right, you can have a wonderful book that can help and entertain thousands of others.

Wednesday, March 26, 2008

Nonfiction is Not Boring

By Rebecca Talley

I also attended the LDStorymakers conference this last weekend and it was fantastic. Everyone was so energized and excited about writing. When I talk about writing my family usually gives me the, "Oh, no, she's going off on the writing tangent again" look (oops did I use the quote marks wrong?). But, at the conference, everyone loved talking about writing. It was great.

It was fun to meet other Cedar Fort authors. Next time, I think we should have a table together so we can all hang out and get to know each other better. And, I was glad to see that Doug buttoned his shirt correctly.

One of the classes I really enjoyed was taught by Jaime Theler and Shirley Bahlmann. It was about writing nonfiction and they both reiterated that nonfiction is not boring. Have you ever talked to Jaime or Shirley? Boring does not come to mind. Both of these women are so energetic and entertaining and they both write nonfiction. They offered great suggestions and ideas to all of us that attended the class. Shirley made me laugh several times, especially when she mentioned a market for people who want to write about outhouses, and I can so identify with her because I am also very tall. I thoroughly enjoyed the class and could've listened to Shirley and Jaime for hours because nonfiction is not boring.